ChuhaiW is kept like a westmark desk: one plain letter over the door, one quiet counter, and midnight-violet light where portraits are actually made. Register one fictional adult character, write her westmark card once, and every tool at the desk — stills, video, edits, swaps, finishing — works from that same card under the same violet light. The letter in the name is a doorplate mark only, the mark of this desk; it stands for no company, product or service. Costs are quoted before a job runs, results rest private in your account until you release them, and a failed job refunds itself. No anonymous use, no mystery pricing: a desk, a card, and a clear price sheet.
Free to register. Check in daily to collect 6 credits — exactly the cost of one standard image, one picture a day from the westmark desk.
Most studios make you re-describe your character at every desk and then wonder why she changes. ChuhaiW keeps one westmark card in the desk drawer and passes it down the line. The Westmark card beside each tool states its input, output and price before you commit a single credit, and credits themselves are studio credit only, with no cash value and no way to exchange or redeem them. The single letter is a studio mark and nothing more: it promises no result or outcome of any kind.
Text-to-image for fictional adult characters. Write her westmark card once and hold every later job to it.
In MotionText-to-video and image-to-video. Give a proven still one clear movement, quoted by duration and resolution first.
Guarded · TransformConsented transformations of your own photographs and your own generated characters. No one else’s material, ever.
RepairsOne precise change at a time — wardrobe, setting, light — for frames that miss by a single detail.
Hold the FaceCarry her face onto new stills, so a whole set still reads as one and the same woman.
FinishingFinished clips brought up to the size their destination requires. Finishing is the last stop, never the first.
Age, hair, build, face and one signature detail, in fixed lines you paste rather than retype. A card rewritten from memory drifts; a card pasted word for word holds.
Stills first, then motion, repairs and finishing — each job shows its exact credit cost before you confirm it, and each result is judged against the card before it is kept.
Everything rests private in your account. Upscale and publish only what earned it; the gallery shows only what makers deliberately put there.
The gallery shows only the frames and clips their makers chose to put on display. The house default is private; appearing here is always a deliberate decision by the person who made the piece, never an accident of the system.
Registration is free, and the daily check-in covers one standard picture a day. When the workload outgrows that pace, one-time credit packs wait at the pricing page — no subscription, no silent renewals.
Start at the westmark deskProduction notes on character consistency, prompt systems and delivery specs.
An upscaler raises resolution, not fidelity. Judge motion against the record, at the joins, before finishing money is spent.
Feelings are generous after an hour of generating. Five checks you can run in under a minute, and the threshold a frame…
A character stays herself because her westmark card never changes. The five fixed lines, the version habit, and what to check when…